
Historical Fiction Author Joanne Sundell
Born in a tiny hospital in rural Virginia, Joanne ever cherishes her country beginnings. Fond memories of toddling along after her older sisters along the Appalachian Trail, catching tadpoles in a nearby creek bed, chasing after lightening bugs, or falling asleep to the evening hum of katydids, remain with her still; despite the family move to more urban Arlington where Joanne spent her formative school years, and then on to Richmond where she earned her nursing degree. Joanne grew up reading romance, falling in love with heroes and heroines from Regency England to the American West, from London’s pubs to Colorado’s ski slopes, loving that moment when the hero and heroine meet and fall in love. That moment to Joanne is the moment when Jane Eyre meets Edward Rochester, when Elizabeth Bennett meets Mr. Darcy—that’s the heart-stopping, passionate moment for Joanne in romance. That moment is what led her to attempt traditional, old-fashioned, historical romance. Joanne sold her first book, Matchmaker, Matchmaker, in 2005 to Five Star-Gale, Cengage Learning, for their Expressions Line, a combination of romance and women’s fiction. Subsequent sales include A…My Name’s Amelia, The Parlor House Daughter, Meggie’s Remains, and The Quaker and the Confederate series, Hearts Divided and Hearts Persuaded. Her books have been reviewed nationally by Publisher’s Weekly, Booklist, Library Journal, and Romantic Times. With her three children grown and off on their own adventures, Joanne lives part-time in Colorado and California along with her husband and their entourage` of felines and huskies. Joanne’s writing groups include Romance Writers of America, Colorado Romance Writers, Los Angeles Romance Writers, Rocky Mountain Fiction Writers, and Women Writing the West. You can visit her websites at www.joannesundell.com, www.blogspot.com/joannesundell and www.myspace.com/joannesundell.
Q: Welcome to Beyond the Books, Joanne. Can you start out by telling us whether you are published for the first time or are you multi-published?
A: Multi-published. I’ve sold six books, to date, to Five Star-Gale, Cengage Learning.

Meggie's Remains
Q: What was the name of your very first book regardless of whether it was published or not and, if not published, why?
A: Meggie’s Remains is my first completed manuscript and fourth sale. I spent many years crafting and re-crafting my first manuscript; at last finishing it yet hesitant to submit. It’s common for our first manuscripts to be our worst and so I waited until I’d written several more books, and then sold three, before re-crafting Meggie’s Remains and then taking a more serious plunge into submission. Prior to that, I was represented briefly by the Carroll Grace Agency, who submitted Meggie’s Remains to various publishers under the title, Day Dreams, Haunted Nights. This is like a submission hiccup to me, since the agency folded almost at the same time they began submitting my manuscript. Long story short, the publishers that did take a look, politely answered, “Not for us at this time.”
Q: For your first published book, how many rejections did you go through before you either found a mainstream publisher, self-published it, or paid a vanity press to publish it?
A: Shoot, it’s really hard to remember the dotted i’s and crossed t’s here. I say this because rejection land is a fog to me. I could rifle through all the documentation in my files for you but, suffice is to say I went through a lot of rejections before sale, whether querying agents for representation or submitting manuscripts to publishers, myself. I did know one thing: I refused to self-publish, not wanting to put one dime into publication. I didn’t know much about publishing, but I knew it had to be very expensive. I’d been writing historical romance for some five years before my first sale.
Q: How did the rejections make you feel and what did you do to overcome the blows?
A: Gut-punched. It takes a while to get back up and join the fight again, I can tell you that. When I say gut-punched, I mean just that. Any confidence I had in my writing, got knocked right out of me! The passage of time usually helped me get back some of my lost confidence. The day I discovered Stephen King’s book, On Writing, brought salvation from any future rejection woes. In it, Stephen King shared his rejection experiences, telling us all about the spindle he kept, onto which he stacked all of his rejection letters. He also said we must turn negative feedback into positive feedback and use it for good … for our good writing! That made sense and I’ve taken his words to heart ever since.
Q: When your fist book was published, who published it and why did you choose them?
A: In 2004, I’d entered my third completed manuscript, Matchmaker, Matchmaker, in a Land of Enchantment Romance Authors, RWA chapter contest in Albuquerque, and actually won in the historical category. While attending LERA’s conference to collect my award (sigh) I had an opportunity to pitch to three editors, one of whom represented Five Star-Gale. Well, I was so nervous I didn’t pitch my winning manuscript, and worse, when time came to submit whatever I wanted, I still didn’t pitch my win! Months later I heard back from Five Star and they said, “Not for us,” but “did I have something else?” I jumped at the chance to finally submit Matchmaker, Matchmaker, subsequently selling it!
Q: How did it make you feel to become published for the first time and how did you celebrate?
A: Heck, I’m still celebrating! You don’t believe what you’re seeing or hearing at first. You don’t believe that you actually sold—that your work will actually be in print—that your heroines and heroes will actually know the light of day! When you work for something for so long, I can tell you that at the moment of sale it’s hard to take in the truth of it. After downing who knows how much champagne, I called anybody who would listen, wanting to toast my good news, at last losing my literary virginity … thank goodness!
Q: What was the first thing you did as far as promotion when you were published for the first time?
A: Because the prime market for my publisher, Five Star-Gale, Cengage Learning, is the library market, catalogs go out to libraries all over the country, and review copies are sent to noted review magazines, newspapers, and internet sites. The rest of marketing is up to the author and so … being wholly uneducated in this process, I followed Five Star’s suggestions and began contacting places that might have any interest in a Jewish heroine in the Old West. I hit bookstores and libraries in my local area and the front-range in Colorado, and then submitted review copies to places and people that might be interested in the themes inherent in Matchmaker, Matchmaker. I had bookmarks and postcards printed up right away, too. Now what am I forgetting … oh yes … there’s that little thing called getting my website up and running!
Q: If you had to do it over again, would you have chosen another route to be published?
A: Hmmm, your question implies choice and I think my experience was that I didn’t have a choice in publication. I only mean that my publisher, at the end of the day, finally chose me. I did submit to quite a few soft-cover romance publishers prior to selling to a hardcover publisher, and who’s to say that I wouldn’t have gone with them, if asked. I write historical romance for Five Star’s Expressions Line, a combination of women’s fiction and romance. I’m happy in this line as I focus on history as much as character.
Q: Have you been published since then and how have you grown as an author?
A: As mentioned earlier, I’ve sold six books, to date, to Five Star-Gale. Each sale is appreciated and no sale is ever taken for granted. If anything, the work gets harder, i.e., as an author you want to grow and improve. You want to do a better job with each completed manuscript. With each book comes improvement. It’s like most things in life I suppose. I have found that I expect more out of my writing with each sale. I’ve learned that I’ll always have a lot to learn!
Q: Looking back since the early days when you were trying to get published, what do you think you could have done differently to speed things up? What kind of mistakes could you have avoided?
A: I think it’s our mistakes that help us finally “get it right,” and “get it sold,” and so I don’t think I would have changed a thing. I’m old-fashioned and of the belief that if we don’t have to work for something, we won’t appreciate it. Writing is a journey, a process; one well-worth undergoing.
Q: What has been the biggest accomplishment you have achieved since becoming published?
A: After my second sale, A…My Name’s Amelia (Amelia is a young, deaf heroine in 1880 Colorado Springs), I was signing at a Barnes & Noble in Colorado Springs when a young deaf teen approached me. She held my book over her heart and signed that she loved it and it made her smile. I’ve never been so touched or felt such an achievement as an author, as I did witnessing the connection made between deaf heroines, one from the past and one present-day.
Q: If you could have chosen another profession, what would that profession be?
A: I’m a nurse by trade and an author by chance.
Q: Would you give up being an author for that profession or have you combined the best of both worlds?
A: Already retired from nursing when I began writing in earnest, I fortunately had time to devote to my passion: reading and writing historical romance.
Q: How do you see yourself in ten years?
A: I’m sixty-three and a proud, brand new Grammy Jo! I don’t have as much time now to devote to writing, but hope to find more in the future. It would be wonderful to still be writing and publishing in ten years.
Q: Any final words for writers who dream of being published one day?
A: I said it before and I’ll say it again: Be confident. Be tenacious. No one else has your voice. Listen to your literary voice and follow it, no matter the time it takes, because your voice will lead you to publication!
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