I think I’m particularly interested in trouble. Folks getting in and out of trouble. The thing within folks that creates that trouble around them. Especially Latino males. Tom Spanbauer describes his style as dangerous writing. And I’ve tried to steal that for my stories. I think finding the trouble and putting the reader in an uncomfortable position along with the characters creates the most interest for the reader. So that’s one. I also think the language needs to mean more to the writer than the reader. That comes from my study of poetry. Tracy Daugherty told his workshop members that language is a character’s skin. I like that idea. We have to get inside of our character utilizing more and more intimate language. I guess that’s when I started using more and more mixing and switching of English and Spanish in my stories. To match the intimate language of the old folks from Colorado that influenced me and that best represent me. So that’s trouble and language. I guess the story must also be affecting. And I guess I mean that stories need to be less plot-driven and more driven by emotion. The best stories that I return to again and again are stories that give less plot and storyline but through the deep use of language and care for the main character makes me feel the most. The work has to be character driven and affecting to create a true immersible experience to compete with films and television and more visual mediums.
A native of Southern Colorado, John Paul Jaramillo now lives, writes and teaches in Springfield, Illinois. He has an MFA in creative writing from Oregon State University, and presently holds the position of Associate Professor of English at Lincoln Land Community College.
His writing has been featured in Acentos Review, Copper Nickel Review, Antique Children Arts Journal, Fogged Clarity Arts Journal, Digest Magazine, Verdad Magazine, Polyphony Online, Paraphilia Magazine, Sleet Magazine and forthcoming in Palabra Magazine of Chicano and Latino Literary Art.
He’s the author of the short story collection,The House of Order, published by Anaphora Literary Press.
The House of Order, the first collection of composite stories by John Paul Jaramillo, presents a stark vision of American childhood and family, set in Southern Colorado and Northern New Mexico. Manito Ortiz sorts family truth from legend as broken as the steel industry and the rusting vehicles that line Spruce Street. The only access to his lost family’s story is his uncle, the unreliable Neto Ortiz.